Friday, April 15, 2016
Sara's Doodling - Doodling around with Thread and Paint
Judy's Quilting Doodle
Since doodling is what I have been doing with quilting, I had to make a quilt that showed some of my favorites. I incorporated the zippers to add interest. One of them opens to reveal the piecing inside. The white stitching is from the bolt of fabric where they pieced it together at the manufacturers which I thought was fun to add to the mix.
This is the piecing inside the zipper.
Tricia's Puffin Doodle
I thought and thought about what to do for the doodle theme. Coloring books have become all the rage. I noticed one in a local quilt store and thought they are really just doodles. The cover of the coloring book had a whale frolicking in the ocean. I liked that idea so I began to think about images from Nantucket to use. I then noticed an article in the Nantucket newpaper about a Puffin that was spotted off the southern shore of Nantucket. Puffins have only been spotted around Nantucket a few times. A photograph was taken of the puffin by E Vernon Laux. I used his photograph for my doodle.
I just love Puffins. My mother in law always said a puffin poem when she served pancakes to my husband and his siblings. I fused fabric for the puffin and doodled stitching for puffin and the ocean.
I just love Puffins. My mother in law always said a puffin poem when she served pancakes to my husband and his siblings. I fused fabric for the puffin and doodled stitching for puffin and the ocean.
Rita's Doodle: Doodling Among the Dots
Humor!
Creativity! Incongruity! I’ve sat through many of Randy’s “Laughter in the
Classroom” workshops and my ordered science teaching background still struggles
when he tells me they all can be defined to mean the same. Doodles? Yes, they fit also. I will admit, at first I
struggled for an idea.
Then those
four words and M. C. Escher and an old habit of mine turned on the light. I’ll
let my sister Mavens fill in the Escher piece [after all, we are quiltersJ]. Here’s the “old habit” connection.
Throughout my college career [Bachelors in the Life Sciences – teaching career
that spanned 36 years] I learned by first taking notes in all my classes.
Later, and as soon as possible, I would study by rewriting those notes into
course specific notebooks. I began to notice, that when the subject got boring
or I lost interest, the expanse of doodles in the margins increased
significantly.
By the way – it’s a habit that continues to this day. Kathy – Thanks
for trip down memory lane. This quilt
is made “doodling” [walking that path of memories] with Tulip permanent fabric
markers on white polka dotted fabric for the background. The hand is mine –
photographed, printed on Timeless Treasures fabric, cut out, and then fused on
top of the doodles.
P.S. From
Rita – the new challenge word - due in July
Aristotle said, “The whole is more than the sum of its parts. “ So, here we go again: Humor – Incongruity - Creativity – this time all wrapped up in one word. Or, take the word apart and “go-a-quilting” with its parts and see if you can agree – or disagree with Aristotle [that’s ok, he’s been dead since 322 BC J]. When Mary Poppins sang the word in 1964, it was supposedly the longest word in the English language and officially added to the dictionary in 1986. The real treat is to have as much fun as did Julie Andrews and Dick Van Dyke.
Aristotle said, “The whole is more than the sum of its parts. “ So, here we go again: Humor – Incongruity - Creativity – this time all wrapped up in one word. Or, take the word apart and “go-a-quilting” with its parts and see if you can agree – or disagree with Aristotle [that’s ok, he’s been dead since 322 BC J]. When Mary Poppins sang the word in 1964, it was supposedly the longest word in the English language and officially added to the dictionary in 1986. The real treat is to have as much fun as did Julie Andrews and Dick Van Dyke.
Here’s my
word:
SUPERCALIFRAGILISTICEXPIALIDOCIOUS
Don’t panic: Sing it a few times and the humor and the creativity and the incongruity juices will begin to flow. That’s just what the word can mean: Super – above and beyond; Cali – “often defined as ‘beauty’”; Fragilistic – “delicate”; Expiali – “to make amends”; Docious – “able to learn.” Think about it – what better defines the Material Mavens.
SUPERCALIFRAGILISTICEXPIALIDOCIOUS
Don’t panic: Sing it a few times and the humor and the creativity and the incongruity juices will begin to flow. That’s just what the word can mean: Super – above and beyond; Cali – “often defined as ‘beauty’”; Fragilistic – “delicate”; Expiali – “to make amends”; Docious – “able to learn.” Think about it – what better defines the Material Mavens.
Jane Hartfield's Doodle Quilt
Jane Hartfield’s Doodle Quilt
Doodle certainly speaks to
your imagination. My first thoughts were about dogs: Labradoodle, Double
Doodle, etc. I don’t own those breeds nor do I have photos I have taken of
them.
Then life happened and I had
a very difficult start to the year that included lots of time on the road. It
was hard to even think about our challenge. However, when I finally got home
and had time to look around my studio, I remembered a piece of linen I had dyed
some time ago.
It was a rather small piece that began as a
“messy monoprint”. That is a fun process without a definitive end product. You
paint thickened dye onto thin plastic. I probably used a Walmart bag. Next you
lay the fabric on top and roll across it with a paint roller or brayer. When
you remove the fabric there are many textural marks on it that would be
impossible to make by intention.
On this particular piece I
used turquoise and yellow dyes which produced many shades of green. I truly
loved the piece. To further define the visual texture, I taped it to sandpaper
and used a Sharpie to “doodle” around the tiny shapes and marks. I left it like
that a long time. It was too small to use for most of my projects, and not one
that I cared to reproduce in a large format.
Then our challenge came up. I
took the piece and fused it to Eco Fi felt. Then I added foil using a freezer
paper stencil for the letters and Bo Nash bonding powder for the sprinkles and
fusible thread for more doodling. By the way, the freezer paper stencil was the
wrong thing to use. Wonder Under would have been much easier.
This piece is not quilted.
I find it very difficult to
photograph work with foil on it. When I turned off some of the light, I got a
better shot. It must have something to do with reflections. If anyone knows
more about this, please tell me.
Carolyn's Cock-a-Doodle- Doo
When I heard that our challenge word was “doodle,” my first thought was "cock-a-doodle-doo". But, being the avid researcher that I am, I began by doing a google search for the word “doodle.” Try as I might, I could not get the image of a crowing rooster out of my head. I found some delightful pictures of hens, but very few roosters, and none that were colorful enough for me.
I decided that my rooster
would be made out of Kaffe Fassett fabrics and that he had to be appear very cocky
and proud. I made several attempts at
drawing the rooster and kept making his chest bigger and bigger with his head
thrown way back until I was satisfied with his cockiness. I used Laura Wasilowski’s technique of
building a focal piece onto a leftover paper backing (resist paper) that was peeled off and
salvaged from a previous fused piece. Using my iron, I lighted attached a
fabric outline of his body to this paper backing. Using a variety of pre-fused Kaffe florals, I carefully and tediously cut out each feather individually, layering them one on top of the other by
lightly touching them with the tip of my iron.
I quickly discovered that cotton fabrics proved to be much harder to
adhere in this manner than batiks. After
I was satisfied with my rooster, I lifted him carefully off of the salvaged paper
background and placed him on a commercial hand-dyed fabric background. Then I
added the grass, feet, “sound” streams and some sunrise shadowing with fabric
pencils. I machine stitched each feather
and the entire rooster using my walking foot.
The background was free-motion stitched on my new Bernina sit-down
long-arm. Aurifil thread was used for all of the stitching.
After I made the rooster,
some of my favorite Glenn Miller and Tommy Dorsey tunes from the late 1940s
popped into my head. I remembered that
one was called “The Dipsy Doodle.” It
was actually a dance that young people favored during that era. I picked up an unfinished machine pieced
project I had begun in a class with Sheila Frampton Cooper. I had not had an inspiration of what to do
with it. I decided to make it into
another 12x12 doodle. I wanted to try my
hand at making pebbles and circles on my new long-arm, and did so in the areas
you see in the photo. After that, I used
my walking foot to finish the rest of the quilt. I like to think of the trumpet part of this
quilt as an actual trumpet blaring out the big band sound of “The Dipsy
Doodle.” This jive-inspired quilt was
made with cotton fabrics stitched with Aurifil thread. I like it so much that I think I may try this
difficult curved piecing technique on a larger quilt in the near future!
Alice's Doodle Quilt--Yankee Doodle (and also FabriDoodle)
Daddy used to sing the song "Yankee Doodle" to my siblings and me--the only song I ever recall hearing him sing! So this was an immediate and sentimental choice for me!
I found a copy-right free coloring book image online. I printed it onto white fabric and then used InkTense pencils to color it. I had previously backed the white fabric with Wonder Under, so I cut Yankee Doodle out and fused him to the background. For the background, I made a "wonky" log cabin in reds and blues.
Incidentally, I tried an experiment with this quilt that worked! After I applied WonderUnder to the white fabric, I cut it to the size of printer paper, and ran it through my printer. Lo and behold that worked! I'll definitely try that again.
To quilt the background (which I did before fusing Yankee D. down), I used the serpentine stitch on my machine to stitch along the seam lines of the crazy quilt.
Actually, I made two Doodle quilts, just for fun. My second quilt was based on a Zen Doodle design that I drew on freezer paper. I used this paper to cut out patterns, ironing them onto various black and white fabrics from my stash, which had previously been backed with WonderUnder. Then I re-assembled the design onto some muslin. I quilted this one by satin stitching around each element. Then I colored here and there with InkTense red pencil. This became the back of the other quilt, and I bound them together conventionally with red fabric.
You decide which is the better quilt! I showed this to an artist cousin, and she preferred it (saying it looked to her more like an "art quilt"), but husband Bob definitely liked my Yankee Doodle! My cousin so loved this quilt that she suggested I make a larger version of it. I just might do that; it was fun to construct! But my first choice ended up being Yankee Doodle, for sentimental reasons.
(Note to Randy: I'll put the burden on YOU to decide which one of my quilts will best fit into your composite. I really am fond of both of them.)
Nedra's Doodle - Designer Dogs - Dalmadoodle!
After a few weeks of struggling with this theme, I finally
came up with an original idea!! I thought of other meanings for doodle and
remembered all the labradoodles, goldendoodles, schnoodles, yorkipoos,
and other designer dogs that we have met and encountered when walking our
golden and black lab. Designer dogs are so popular that a new hyrbrid
seems to be created every year. There even is a dalmadoodle, but sadly it is a
homely (in my opinion) creation! So I chose to depict a cuter? version of
this designer dog for our reveal.
Karen's Doodle Quilt--Doodleleaf
I always liked the look of "doodles"! I have many books on Zentangle but never put it to fabric. I drew 4 different pictures before I came back to what I like to create with fabric. Leaves. I used
a hand-dyed fabric by Mary Walter. (Who happens to be a good friend of mine and so I'm lucky to be able to own many of her great fabrics!) I used Mettler cotton thread 50wt in Hunter Green. If I wanted a thicker look I used a small zig-zag with free motion. The background quilting was done with YLI monofilament thread.
My favorite part of this is the veins. Which inspired me to begin a large leaf full of vein work. This is the drawing I started with.
Kathy's "DOODLING AROUND !"
As a kid, I used to "doodle" around with paper, pencil, pen, crayons, colored pencils, etc. all the time. Sometimes my Mom or teachers would tell me to "Stop Doodling Around !" In other words, get back to work and stop wasting time !
Sometime around 1985 I took my first quilting class in Anchorage, Alaska. I really tried to follow all the instructions, but a lot of the time I just couldn't "get it" .... But I never gave up ! And then... at last: That "Break Through" Class: FREE-MOTION QUILTING !
I'd rather be doing free-motion quilting (FMQ) than just about anything else, and within the last 5 years or so, I sort of stumbled into the phenomenal world of "ZENTANGLE." It catapulted my quilting and my art into new dimensions.
In the past few years, the techniques used in "Zendoodle" have become a huge presence in the art world, and have had a tremendous impact on such things as fabric design, tutorial books, You Tube, and the latest craze, "Adult Coloring Books" (which can be found in just about every hobby / craft / art supply store, grocery stores, and on-line!)
"Doodling Around" is a 'whole-cloth' quilt made from a single piece of hand-dyed fabric for the front, and a way-cool 'doodle' inspired fabric for the back. Instead of a traditional binding, I used a shimmer-y, almost transparent fabric to enclose the edges of the quilt (similar to a pillow-case finished edge technique).
The quilting ... My favorite part ! I used Madeira 60 wt. Mono-filament in the bobbin. For the front of the quilt, a luscious Madeira Metallic thread to add that Wow factor ! [And to help tame the sometimes temperamental metallic thread, I used "Sewer's Aid' to lubricate the thread, and help it 'play nice' with the monofilament in the bobbin !]
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